1. Are not there many similarities between interaction with semiotic content through the human-computer interface and analysis of "classical artwork" through the veil of our own psyche? Presumably, the user, in the former case, has no control over the interface that was designed by a third party. And the viewer, in the latter case, did not choose and cannot change his subconsciously developed mental state.
2. The author discusses and seems greatly intrigued by the effects of variabilty of interface and the fluidity of run time on the integrity of new media content. But what are the artistic implications of merely creating artwork that does not, even at the interface, physically exist?
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